Ozonna Soludo Reveals Perfume as His Handbag Essential, Just Minutes After Uche Ekwunife Mocked His Father Over Alleged Mouth Odour
Anambra Governor Charles Chukwuma Soludo’s son, Ozonna, a musician and digital content creator, recently generated a wave of online buzz—this time not for his music, but for what he carries in his handbag. In a playful Instagram video, he revealed that perfume is his non-negotiable carry-along, setting off a cascade of comments about scent, style, and identity. At once lighthearted and deeply telling, the segment invited broader discussions about youth expression, parental support, and the changing norms of Nigerian masculinity.
Ozonna joined the trending “bag challenge,” a social media move where creators share what’s in their personal bag. His twist? A bold visual of a perfume bottle nestled among other items in his bag. Though he hasn’t specified the fragrance, the mere act of spotlighting perfume—an item often associated with feminine spaces—was enough to stoke reactions.
This follows earlier moments where Ozonna addressed criticism about carrying “lady’s bags.” On one occasion, he said: “It’s not even a lady’s bag … I don’t think bags have a gender … it’s a bag and I like it.” The perfume reveal seems a confident continuation of that narrative.
Ozonna is no stranger to online scrutiny—from comments about his style to his carefree expressions of identity.
In the past, he pushed back firmly. After uploading a video dancing to his own music, a critic lamented local violence while he seemed carefree. Ozonna replied, “I don’t remember being elected as your governor,” asserting his independence from political responsibility A separate video saw him deadpanning, “I only exist online. I am not real, b!tch,” a humor-laced way of setting boundaries.
These off-center takes set the tone for how the latest perfume reveal has been received—half admiration, half amused incredulity.
Ozonna’s unapologetic embrace of perfume and non-binary aesthetics challenges Nigerian norms around masculinity. His statement about “being happy with what I like … not to suit your ego” resonates as a manifesto of modern self-expression.
In a culture where fashion and scent are still often strictly gender-scripted, Ozonna models an alternative—one where aesthetic preference isn’t bound by traditional norms. His choices ask Nigerians to accept nuance over stereotypes, fluid identity over fixed categories.
Ozonna’s expressive persona isn’t isolated. Governor Soludo has repeatedly appeared supportive and even participatory. In a heartwarming viral video promoting Ozonna’s single “Big Flex,” father and son danced together in matching styles. The scene melted online expectations of political formality, turning into a moment celebrated for its relatability.
The optics reinforce a message: Soludo embraces his son’s identity and craft, stands behind his choices, and to many Nigerians, embodies an evolving notion of leadership—one that humanizes public figures.
The dance challenge itself originates from Ozonna’s breakout track, “Big Flex.” With its catchy rhythm and youthful swagger, it has fueled viral moments beyond the video with his dad. Described as blending Afro-fusion and self-confidence, the song became a soundtrack for self-expression, creating a platform for Ozonna’s persona to flourish.(abujarealestate.ng)
The perfume bag reveal extends the “flex”—not in extravagance, but in styling choices that speak to personal comfort and individuality.
Ozonna’s journey hasn’t been without friction. Earlier reports reveal he financed his music through odd jobs, breaking into the creative industry independently. His parents initially resisted but eventually granted their blessing. His persistence and unique brand of self-identity have become core to his narrative.
What was once rebellion has slowly turned to recognition, both online and through familial support.
Perfume in a man’s handbag might raise eyebrows, but it also becomes a statement. In many global communities, people carry perfume to maintain presence, comfort, or personal branding—even when on the move. Online fragrance discussions often center on portability, signature scent, and aesthetic rituals.
So Ozonna’s visible scent choice isn’t whimsical—it’s expressive. It signals a curated identity, confidence, and intention, whether he realizes it or not.
These intersections of identity and parenting reflect a broader shift in how Nigerian families—and especially public families—signal evolving values. The Soludos project unity in difference: a father visibly supporting a non-conforming son, a young artist owning his preferences, fans embracing that narrative.
It’s not just talent or power; it’s the willingness to live loudly and unapologetically—an authenticity that resonates deeply with younger Nigerians.
What began as a fun social media reveal has become a commentary on identity, parenting, and societal transformation. Ozonna’s perfume in his bag isn’t merely a product—it’s a layer of his message: Pick pleasure. Define yourself. Carry what matters to you, regardless of expectations.
As the social media world continues to sniff and react, the Soludo story invites Nigerians to reconsider what flipping norms might look like—one scent, one bag at a time.